This ghastly tale of two tomb raiders marks the very first appearance of Lovecraft’s infamous forbidden book, Necronomicon.
Two seemingly low life robbers, St. John and the narrator, who shares this vile interest in defiling centuried graves for logical pelfs, goes to Nether–lands (literally!) to excavate/rob an ancient ghoul. Though their nocturnal expedition is repeatedly disturbed by bayings of a hound in background, they unearth an old jaded amulet(semi canine faced) with sinister inscriptions that can be traced to those of old Arab daemonologist, Abdul Alhazred. Pulling it from the eerily fresh and torn carcass of ghoul, they flee home with the souvenir. With it came strange sounds and happenings.
‘the expression on its features was repellent in the extreme, savouring at once of death, bestiality and malevolence’
Narrative took a turn from there, atleast for me. The classic horror storyline that my mind had framed from this halfway reading wasn’t able to reduce the engaging experience. Initial reluctant first person account suggestedthe grave excavations not being a profession of choice, but lack of options. I was wrong to judge that. As story progressed the complex and perverse nature of narrator and St. John’s relationship brought a new outlook to the happenings. For once, the narrator felt somewhat reliable to me. Though their deeper obsession towards occult and their own reculse cult of necrophilia suggested otherwise, I was inclined to read them with Lovecraft’s life and company(thanks to Paul La Farge’s Night Ocean); and to focus more on ‘material constants’ of the story than perceptions of narrator. Also it would be safe to admit that much of my thoughts changed after finishing the story.
The ending, now that I think back, shared a strong resemblance with my first lovecraftian tale ‘The Dagon‘ and I couldn’t help but read it along with his opening line from The Call of Cthulhu, “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents“. The more I thought about the hound, the more it started to appear like the bed rock for modern cursed artifact adventures(ignoring the crude morale) from Indiana Jones to Nathan Drake, mostly due to my limited reading. After expedition experience and narrator’s paranoia held strong resemblances with that of Truant and even Zampano from House of Leaves, with the foreign languages and sense of haunting. My mind went a step further and somehow made a vampirish connection with Lovecraft‘s ‘The Alchemist‘, thanks to the baroque descriptions, and that grisly second grave encounter.
Nevertheless, terror inscribed in the writing made the story all the more atmospheric if not a bit Poe-esque. Or like Howard might say, ‘it’s a charnel premise of abhorrence and cosmicism‘ .