Nameless by Grant Morrison

nameless

In our solar system, between Mars and Jupiter, there is an asteroid belt, which some people see as an anomaly in place of a should-have-been 5th planet. This hypothetical planet is named as Phaeton by scientists, and the pseudosciences behind it are collectively referred to as ‘disruption theory’. This comic bends that theory and use it in its multi layered narrative, with one completely unfitting element – occultism.

Nameless is a name. Its the name of our protagonist who identifies himself as an expert on the occult(like Constantine). Story opens with a seance, of cosmic proportions, where Nameless is contracted to obtain an archaic key off someone’s dream, by inducing dreams inside dreams. Pretty much like Cobbs from Inception, but with a Lovecraftian touch and Legion(X- Men) psychology.

Meanwhile a huge asteroid- Xibalba (Mayan underworld reference) with a weird Enochian symbol on its surface, is on a collision course with Earth, with a margin of 33 days. A group of scientists are stationed at the Dark side of the moon, to act as Planet’s Michael Bay-ish ‘Armageddon’ crew. Things get weird and trippy when Nameless is recruited to decipher the asteroid symbol and solve the first murder on moon, which turns out to be more or less an Event Horizon scenario. Wrapping my head around this plot is still an ongoing process. It is a non linear acid trip with intertwined ‘unreliable narratives’, that borrows reality realms off Kaballic Tree of Life for plot; and from comic’s own panels, Nameless is Exorcist meeting Apollo 13 in Dantes Inferno.

There are fish people, door to an anti universe and exposure to Elder ones. Also you get to see serious people in space suits with Gravity Falls symbols painted all over, doing Randezvous with Rama and Mountain of Madness. By later issues, it reminded me of Warren Ellis Injection in quality and mind blowing wtf contents.

I must remind you of comic’s mature nature, with gruesomenese in levels with Martyrs movie, if it was a comic. Adding to the horrors is Morrison’s spinning writing – obscure and lunatic(and awesome), like its sci-fi premise. Nameless is further blessed by Burham’s gorgeous artwork- properly inked and meticulously detailed, like a Jodorowsky panel. Also, the reading experience may not be for every body(definitely, not for me if ever cinematic-ally adapted), especially with its vividly rendered physical violence, and existential (and arguably heretic) philosophy.

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Though intellectually demanding and deep, this limited series was a solid read; and weird fun, like all 6 issues in single sitting fun. To me, Nameless in its entirety felt like listening to Tool, while being relatively high.

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